New Members for the Country Music Hall of Fame

In a time when many bemoan the current state of country music, Sunday's night's Country Music Hall of Fame induction ceremony represented everything that's right with the beloved genre.

Dierks Bentley called the medallion event honoring inductees Mel Tillis, Ralph Emery and Vince Gill "the last link to the good stuff." True musical visionaries including Emmylou Harris, Rodney Crowell, Kenny Rogers, Michael McDonald and Bill Gaither got a deserving welcome on this red carpet, where even the arrival of noted guitarist Jimmy Capps was announced to the crowd by Bill Cody.


Mel Tillis


Vince Gill

Amy Grant was by husband Vince's side, but just barely. She had been booked for months to perform out of town, but was able to change the show from evening to afternoon. She slipped into her black dress in an airport bathroom. The night was also special for Vince because it was the 82nd birthday of his mother, who was there to witness his big night. "She's the same age as the Grand Ole Opry," Amy said. "You would think she was 60. He gets all of his good looks from his Mama."


Ralph Emery

Ralph put the finishing touches in his speech about four hours before the ceremony, but Vince and Mel decided to wing it.

"I have personally been flooded with an awful lot of years of memories," Vince said. "Every garage band I was in that got me here, every record I got somebody to buy got me here, every song I wrote with somebody else got me here. The thing that gives me great peace is knowing I did this with an enormous amount of help along the way."

Mel's thoughts turned to his train trip from Florida to Nashville 52 years ago. "I knocked on a few doors," said Mel, as his wife, Kathy DeMonaco stood nearby. "I wanted to be a singer and they said, 'We don't want any stuttering singers.' I said, 'Oh boy, what do you want?' They said, 'We need songs.' I said, 'I've never written a song in my life,' so I started writing songs."

Mel's "Stick With Me Baby" is included on the new Robert Plant/Alison Krauss album.

Little Richard has recorded Mel's "I Ain't Never" for an upcoming album benefitting Don Imus' ranch for sick children. Dierks said his version of the song delivered Sunday was a different than Little Richard's.

"I'm not going to dance on top of the piano!" Dierks said. "Mel's original version is pretty good, so it's hard to beat that, so that is what I'm going to do — same key, same everything."

Martina was delighted to honor Ralph, who was instrumental in promoting her career early on. I asked if she dared to dream that one day she might join him in that legendary circle.

"No," she said. "That is one of those things that seems so far out of your reach. It is the pinnacle."

Visit Beverly Keel's colum in the Tennessean to read more.

A Musical Threesome; Plant, T-Bone and Krauss

By JON PARELES
LONDON

PERHAPS it was a coincidence that Robert Plant chose a Russian tearoom called Trojka, which means a threesome or triumvirate, to talk about his new duet album with Alison Krauss, “Raising Sand.” Or maybe it was a subliminal reminder that the album is really a three-way collaboration by an improbable alliance: Mr. Plant, who will be forever known as the lead singer of Led Zeppelin; Ms. Krauss, whose clear voice and deft fiddle style hail from Appalachia; and the producer and guitarist T Bone Burnett, the Texan who is best known for concocting haunted, pensively anachronistic Americana.

They represent three different musical spheres: Mr. Plant’s worldly hard rock, Ms. Krauss’s limpid update of rural traditions and Mr. Burnett’s rangy Texas twang. “Raising Sand” (Rounder), all three say, is like nothing any of them could have made on their own. But Mr. Burnett saw a link between the singers: “They’re two very mystical voices, and the blend of them is mystical,” he said in a telephone interview from his home and studio in Los Angeles. "They both sound like they’re singing from some other time. Alison sounds like she just stepped out of the Black Forest, and Robert sounds like Ozymandias,” the Egyptian pharaoh.

With Mr. Burnett leading a malleable studio band, Mr. Plant and Ms. Krauss share old and recent songs, drawing on Gene Clark, the Everly Brothers, Townes Van Zandt, Allen Toussaint, Mel Tillis and Tom Waits. It’s a collection of, mostly, sad songs — tales of love betrayed — floating in their own limbo. Together the collaborators triangulate a terra incognita somewhere between swamp and mountain, memories and eternity. Mr. Plant happily called it “the most amazing collision of styles.”

Sipping a latte and wearing a washed-out brown T-shirt that revealed robust biceps, Mr. Plant was far more eager to talk about “Raising Sand” than about the impending Led Zeppelin reunion. That concert is scheduled for Nov. 26 at the O2 arena in London as a benefit for a educational charity supported by Ahmet Ertegun, the chairman of Atlantic Records until his death last year. “It’s a one-night stand,” Mr. Plant said. “I’m taking emotional condoms.” Then he changed the subject.

Read more about this amazing musical pairing in the New York Times.